If you would give your ten year old self words of wisdom, what would they be?

‘I can’t remember when I was ten. I think I was a rebel then and I’m a rebel now. I would have said, “Keep it up kid!”’

‘You go on Facebook and Instagram and everyone’s like shiny and happy and that would freak me out even more thinking, I don’t know what my life looks like. I would then evaluate my career and relationship or where I lived and there was just no certainty and it totally led to these really intense panic attacks.

‘It was this pressure to kill it at everything and that is what totally triggered it for me – this fear of the unknown and wanting to have control over it. What if I do take this job, then this could happen or that could happen and it was all just what if’s. I would just spiral – I wouldn’t do anything and I would freak out – it was paralysing.

‘It was a couple of years ago anxiety came in to my life and hit me like a freight train. I never expected it. I never saw it coming.

‘At my lowest point I wrote this poem called “We’re all going to die”. It was the first time that I’d had a sense of certainty. There was this one thing that could be guaranteed in my life and that was that one day, I’m going to cark it.

‘I realised that the only guarantee is death and everything is a mystery and that’s the beauty of life. So, why not go for it and why not take a risk? I’m going to die someday anyway so I may as well be who I really am.

‘On Friday November 17th I’m hosting “We’re All Going To Die Festival”. It is an amusement park for the soul. As an audience member you choose your own adventure – art installations, a film festival, music, panel discussions around fear and death and a lot of immersive experience. There’s everything from a death meditation where you actually imagine yourself not here on Earth any more through to a dance class where you’re encouraged to dance like you do in your own safe space in your bedroom.

‘It’s really about shifting people’s perspectives to just go and live life. It’s going to be a whole lot of colour and humour and we’re delivering it in the most fun way possible, because, why not?’

‘I always worked with fabric even as a kid. I started working in the rag trade as an apprentice cutter in Flinders Lane in 1962 and then was heading in to bridal and thought; if I’m going to do bridal then I need to know something about hats. The very first piece of felt I picked up and blocked, I went, “Ahhh, that’s what you’re meant to do.” You’re working in three dimensions rather than working in flat pattern work.

‘I still do a huge amount of sewing but now I teach hard and soft sculptured costume. It’s kind of a combination of millinery and costume. I’ve been lucky. I’ve had lots of big jobs and lots of fabulous work to create. The last job I did was Aladdin – it was lovely… but Star Wars, Phantom and Moulin Rouge were also great.

‘I’ve been a milliner for 55 years and I just turned 71. That was why I had the blue beard done because it was my birthday – my birthday beard.’