Chris Martin from Coldplay arrives on King Street.
‘I’m from Florida. I go to the University of Florida and am here studying at UNSW.
I saw Coldplay in 2012 with a friend. It blew my mind – I’ve always been a big Coldplay fan but it wasn’t until Viva La Vida was when I really started to like them.
I knew that they were going to be here in Sydney on June 19 and I tried to buy tickets while I was at the airport flying here and they sold out in three minutes. My flight got delayed and I was distracted. All these things went down. I was really resigned to the fact that I wouldn’t see them even though I was going to be here. Last night we were sitting at home. We’re big Game of Thrones fans and we’d just downloaded it. And then I saw their tweet about coming down here to get in line to be in their video.
That was around 8pm last night. We showed up here at the Courthouse last night around 9pm but there was nobody in line. We went back home and came back at 6 this morning and we were first in line.
They haven’t said anything about what they’re going to do. That’s the exciting part. I don’t know if they’re filming here at the Courthouse or I think they’re going to take us around and film. They have their plan and we don’t know it. I’m assuming I’ll see the band.’
‘We’re protectors of our heritage so to speak. I personally think that it’s my obligation as an owner of the building to see it live on for the next genera…tion and generations to come.
‘We’re in the process of looking at about four Australian companies that are interested in leasing it.’
Is there anything in particular that whoever gets the contract, you would like to see the do?
‘As long as they’re Australian and they keep it live entertainment here whether it’s theatre, Vaudeville or whatever.
‘Three stipulating points – the back outside wall will belong to the artist (who just completed his artwork today) for as long as he can paint and the other artists that have used that wall – they’re Australian. They have to use the painter that I’ve commissioned to paint the building and my electrician because he knows it inside out.
‘The huge ceiling lights took us about two months each to restore. In 1999 a hailstorm went through this place and did close to $700,000 worth of damage to everything. It was a swimming pool down here. We never really restored the lights properly – we just sort of temporarily restored them. We’ve spent so much money here now doing the restoration, we decided to spend some time on the lights. We got geniuses in plaster work and basically remoulded them, fixed them up and rewired them. They’re all LED now. That’s the only thing that’s changed in here simply because the first three on each side used to come down to the ground so you could change the globes and then they would be winched back up. We didn’t want them touched any more. If there’s loud music in here we don’t want them rattling and falling down. They’re an important part of the architecture in here.
‘The architect that built this place is responsible for around 2,000 buildings in Sydney. He built the Grace Bros Broadway building. The Hub falls in to the P&O style where the patron would come to the cinema and get ‘taken away’ on a boat. Hence the round circles at the top and the front. They’d come in here and they’d feel like they were going away on a cruise. People needed escapism so theatre was killing it back then.
‘I’m enjoying the work here. It’s our building so it’s a labour of love. I’ve been working on it for two years now. Why wouldn’t you do it up? It’s such a beautiful building.’
It’s a showcall.