Street art collaboration.
Street art collaboration.
Not only was this little guy rugged up for the cold, but he could pull off some great party tricks with his ears.
‘When I was doing a comedy sketch on stage and I was making people laugh, I was addicted to stand up from then.
‘As a creative person who doesn’t have the security of a regular income, I feel like the toughest thing for me is knowing where my next thing is going to be. Often I don’t know where that is. I pretend and people believe me sometimes and give me lots of money to do it but I just don’t know where those opportunities lie.’
If you could give one bit of advice to people, what would it be?
‘Keep it real. Be honest. Honesty is always the best policy when you’re doing comedy or when you’re doing anything.’
Grin and bear it.
Rainy King Street.
‘In Hong Kong I just didn’t have the time to enjoy things. It’s too rushed and you can’t really observe stuff in detail. We don’t have a second to relax and enjoy life so for me, I want to take back the time. Here, at least I can get back free time and the lifestyle. And the food and the air. The air is so important because Hong Kong is so polluted.’
‘I think I’m going to take the Australian lifestyle back to Hong Kong with me. I’ve been back to Hong Kong twice since living here and now I’m just not used to how people walk so quickly and how rude they can be. I’m so used to now getting off the bus and saying thank you and stuff. I think I’m just going to keep doing that in Hong Kong.’
Doubling up on King Street today.
‘Sometimes I feel like I’m behind. I have friends who are in corporate jobs. Fluorescent lights are nice but I’d much rather have my hands in the dirt. I’ve embrace an artistic lifestyle and I have no fear that money will come. It doesn’t really matter.
‘It feels liberating in a way. You’re more in tune with things. You see things and you draw creativity from it and that fulfils you – it’s the best. It’s frightening too. You have to make something from it because you have no other choice. You have to go forward.’
‘I had two strokes in 2002. My physio at the time said I should do something with my hands because my balance was completely shot. Her theory was if your hand-eye coordination improves, so does your balance. So I started to do picture framing as a way of recuperation and my balance has improved no end.
‘Everything on my right side – my leg, my foot, my arms – I had no control over them whatsoever and that’s why at times I had to strap my arm to my body to control it. I used to come up here to King Street and sell my stuff one-handed.
‘My left hand has become my right hand. I’ve learned to write left-handed, shave left-handed; I’ve learned to do everything left-handed. Every now and then I forget my circumstances and I pick up a pen and go to sign my name right-handed like I used to and it doesn’t quite work.’
Safety in numbers!